1962 Regal Branded Harmony Meteor R272 Archtop Electric Guitar

 

Love this instrument.  It is basically a Harmony Meteor that has been rebranded under the Regal name.  The history gets a little confusing.  These guitars were still being made by Harmony but being distributed by Fender.  Fender was trying to diversify their product line a bit as they were obviously famous for their solid body guitars, but at the time (until the Coronado came along) they didn't have any semi-hollow or hollow body products.

I have divulged this little secret before - I believe these Regal branded instruments are better than their Harmony branded counterparts.  I don't know why this is.  They just feel better in my hands and sound better to me.  I used to own a Harmony Meteor and had to sell it.  Loved the way it sounded, but the neck was terribly skinny.  The neck on this guitar is way more substantial and comfortable to play and it provides a great tone as well.  The same goes for the Harmony Sovereign acoustic line.  The Regal branded Sovereigns have always sounded and felt better to me.  Again, a lot of this has to do with the bigger necks these Regal branded guitars were sporting.  I have featured a couple of these Regal Sovereigns before in these pages.

This guitar is in really nice shape and is all original except for the pickguard.  It doesn't need much, but I might think about raising the pickups a little to hopefully increase output a bit.  Could lower the bridge to achieve this, but I like the current action.  Might think about a compensated bridge and tweaking the tuners a bit, but overall, I couldn't be happier.  These are all solid wood guitars with spruce tops.  I have been looking for one of these for a long time.  They are pretty scarce.  The Harmony Meteors are way more abundant.

Terrific Dearmond pickups!

I have always loved that Harmony products were dated.  As you can see here this is dated F-62, with the model number (272) next to the date.  Much to my surprise when you look inside you can also see that box with what looks like my name in it(Ed).  Guess we were meant to be together!  Lets not forget the Made In The USA stamp.  You don't see that very often anymore.

1950's/60's Harmony/Stella 3/4 Size Guitar

 

I'm on the job, driving a truck for work, and I roll through a little town just a few towns northwest of where I work.  It was this past fall and they were having a townwide garage sale.  I take it slow while driving to see what I could see, and low and behold, there's a guy with a little tent set up with some instruments in it.  This little thing caught my eye.  I picked it up and it played great.  The neck was straight, it stayed in tune, and the action was low.  The proprietor of the tent monkeyed around with guitars and other instruments, getting them in good enough shape to play.  He was more of a hobby luthier than someone completely committed to the craft.  He sees me in the tent and walks over to tend to me.  I ask him how much, and he says 50 bucks!  I couldn't get the money out fast enough.  I know, this doesn't exactly rate with finding a '56 Tele under grandmas bed, but I think it's a good story.  I could have sworn he would say $200-300 when I asked the price.  Hell, the tuners alone on this thing are probably worth 50 bucks.

Date is stamped on the inside, as they are with most Harmony guitars.  Problem is, it is a little smudged and hard to make out the year.  Most likely 50's-60's.  One of the best little knock around the house guitars you will find. 

 

Silvertone 1457 Amp in Case Electric Guitar

 

Is this guitar going to flip anyone out because of its rarity?  Nope.  Nonetheless, how can you look at this thing without muttering to yourself how cool it is?  The materials, the design, the vibe.. you gotta love it.

Of course, this is the amp in case model.  There were numerous models produced by Danelectro that came with a guitar case that had a built in amp.  This guitar didn't come with the amp, which I wasn't too concerned about.  In all original condition, it's also in terrific shape for its age.  Born in the mid 60's, the design befits the era and gave birth to a whole slew of future rock and rollers.  

Is this guitar going to be your number one road guitar?  Probably not...unless you are Buddy Miller!!  But these old, funky, Danelectros and Silvertones do things that your Strat or Les Paul can't.  They are in studios all across the country because of their ability to catch a vibe that the big name players can't.  They also happen to catch that vibe at a fraction of the price.

Check out the appointments - Lipstick pickups, concentric volume and tone knobs, skate key tuners, tiny slab of rosewood for a bridge. cutaway design and funky build materials.  There is a ton of info on these out there.  I won't waste your time with descriptions.  Enjoy a couple of photos.

Dan Penn holding a Harmony Sovereign H-55 acoustic/electric guitar

 

Here is one of my favorite pictures of one of my favorite people.  Dan Penn is seen here holding a Harmony Sovereign H-55 acoustic/electric guitar.  I would put this photo in the late '50's/early '60's.  Dan is 80 years old now and these guitars were made between 1958 and 1971.  You do a little math and it lands the photo in this era.  He looks like a fresh faced 20 year old and his future and significance in the world of music was all to come.  To think that at this time he probably had no idea he would be part of one of the greatest era's and one of the greatest studios in music history is a trip.

Dan Penn is songwriting royalty(at least to me).  He co-wrote many classics, including the soul standard "Dark End Of The Street", "Do Right Woman, Do Right Man", "Cry Like  Baby" for the Box Tops and my favorite. "I'm Your Puppet"(which he wrote on a 12 string Stella acoustic.  His connection with this blog continues to grow).  He also produced The Box Tops biggest hit, "The Letter".  Here is a video of him performing "I'm Your Puppet" with the great Spooner Oldham who co-wrote the song with Dan.  Dan Penn & Spooner Oldham - I'm Your Puppet (HQ) - Bing video

Dan and Spooner just kill it on this version.  It's so beautiful.  What a wonderful career.  Dan was able to create hits and stay in the background without being inundated with attention.  Seems like the best of both worlds to me.  Can you imagine having to teach Aretha Franklin how to sing one of your songs down in Muscle Shoals.  I bet he could tell a few stories.

This guitar is much like the Harmony h-1203 except it has the added addition of a built in pickup placed in the last fret just before the soundhole.  I believe each of those poles can be adjusted and you were provided with a volume and tone knob.  As with many of these Harmony's the tops were spruce and the back and sides were mahogony, all solid woods.  I have heard that the pickup placement disallowed for proper bracing to be fitted across that section of the guitar.  This may have caused a little sinkage around the soundhole.  I am sure a competant luthier could remedy that situation and for my money it would be worth it.  These are very cool guitars.  I think this iteration of the pickup has a p-13 type of sound to it.

Search around and spend a little time with Dan as well as his friend Spooner.  Humble Alabamans(or Alabamians depending on who you ask) who deserve continued listening.

Conrad electric baritone guitar model 1247/Conrad electric guitar

 

Shouldn't be hard to look at this photo and tell which is the baritone.  Scale length differential is very apparent.  Its like a sibling photo where the big brother towers over the little.  As with many of these Japanese guitars it is difficult to nail down their birthplace and birthdate.  It is believed that these two guitars were Matsumoku products and wholesaled by a distributer out of Chicago.  Depending on the wholesaler as well as the company that was doing the retail these guitars came under a variety of names including Aria, Domino, Electra, Lyle, etc.  These Conrad guitars were distributed between the mid 60's to the late 70's.

On the left you have a baritone that I had fixed up by James Ralston.  This thing sounds crazy now, like you are plucking on piano strings!  It is tuned b to b and aside from giving you some incredible ethereal sounds it also gives you that great tic tac bass sound that Nashville was employing in the 50's.  James had to get the neck straightened out(which is a requisite repair on just about all of these Japanese wonders) and added a compensated saddle to help out with intonation.  It plays great now and is already providing inspiration in the studio.

These rocker switches were the low point of engineering on these guitars.  They have almost always been problematic and while James got these cleaned up and working pretty good, I am still searching for a better switching system that will fit the bill.  

It is tough to see, but there is a little treble boost switch east of the neck pickup - fender jaguar style.  These types of switches might be the answer to replacing the rocker switches.  

A little closer look at the pickups.  These pickups were seen on these offset models.  I have seen these Conrad guitars have anywhere from a one to four pickup configuration.

Many of these came with a straight metal bar saddle.  It was hell on the intonation, especially when you put a whammy bar into play.

Big, honking headstock!

The baritones little brother on the right came with an intonatable bridge and is all original.  Again, the rocker switches are less than desirable, but this guitar has some spunk and a chunky neck that I always personally desire.  Still in the process of dialing this one in and hoping to use it more once I do as it is a fun instrument to mess around with.

Harmony H72V Electric Guitar

 

Some might say..."Why didn't you just go for a Gibson ES-335."  I would bet that the 335 feels a little more hefty in your hands and is the right choice for Larry Carlton, but as with all these Harmony and Kay guitars, so much of it comes down to vibe.  I am not a road guy so I don't need the reliability and something as easily replaceable as a 335.  Vibe counts, and this guitar has tons of it.

This is a Harmony H-72V.  It is the brother of the H-72.  The only difference is the H-72V has a Bigsby, which is pretty high cotton for a Harmony.  I am still in the process of dialing in the setup on this guitar, but it has already found its way into some recordings.  Those Dearmond pickups are where all the vibe exists in this guitar.  They are killer.  Crunchy or smooth, they are pretty versatile.  I have yet to experiment much with their smoothness, but was able to get some Stones like crunch on a recording, and therein lies the vibe.  

Some of the features on this guitar include an intonatable bridge which helps with the Bigsby.  The body and neck are very slim, and as stated earlier, the 3 position switch and those pickups make this a very underrated and versatile guitar.  What I wouldn't give for the neck to be nice and fat on this one, but it is about as slim as any electric neck I have ever played.  It is funny that many of the Harmony acoustics have big, fat necks and just about all of these semi hollows have really slim necks.  The Harmony Meteors also have real slim necks.  This is the trade off a guy like me has to make for that cool tone.  These were made between 1966-1971 and though there are a couple of them around, they are not that prevalent, especially with a Bigsby.

 

This guitar looks in pretty damn good shape, doesn't it?  That's what the seller led me to believe.  He took pictures from every angle except for the angle that showed how the guitar had been dropped at one time on the instrument jack.  He never mentioned it, and when I confronted him on it he said he didn't see it and that it happens to him all the time(being sold a bill of goods).  What a fucking douchbag!  Many of the guitars you see on this sight have been sold.  Never in a million years would I not describe an instrument as perfectly as I could.  I truly believe we are caretakers of these instruments, not shyster salesmen trying to make a buck at every turn.

You tell me if you wouldn't have noticed that!!  Oh well...I just don't know how some people sleep at night.

Fenderish headstock is a unique feature on these instruments

Silvertone Classical Guitar - "Little Willie"

 

Who doesn't love Willie Nelson?  A great songwriter, singer, and guitarist.  His guitar playing in my opinion is completely underrated.  You can hear two notes and know immediately that it is Willie.  I think that is part of the definition of a good musician.  Not one who can copy every style out there, but rather one who has created his own.  No one else on earth would have put a pickup in a classical guitar, amplified it with a weird, Baldwin amp, and played gut strings with a flatpick.  Total Willie!!

Here is a Silvertone classical guitar that is meant to be a little bit of a tribute to The Red Headed Stranger.  I have never played a high end classical guitar, nor have I held Willie's Martin in my hands, so I can't make any quality comparisons.  What I can say is that for the price, if you can find one, these are a pretty good bargain.  They are out there and easy to find.  The problem(as it is with all these catalog guitars is finding one with a neck that isn't warped).  The neck on this one was dead straight.

Tough to nail down the exact maker.  The bridge and its bridge bolts are a Kay feature, but the serial number and made in the USA markings on the back of the headstock are Harmony features.  The work on this was done by James Ralston.  He reset the neck and bridge.  It plays great and is in tremendous shape for its age.  We put the ball end strings on it and added the beginnings of some indelible initials and carvings to replicate Willie's guitar.  It is thoroughly understood that the real mojo associated with "Trigger" is all the places it has been and all the songs it has played and created.  This guitar will never even come close to matching Willie's "Trigger" and all that it has seen, but it will be fun getting my friends and family to sign it.

I believe it is laminate construction, though there were some of these that were all hardwood.  This guitar would really benefit if it were re-braced.  The braces are the classic big and hunky Kay type that dampen the tone.  Not sure you want to put that kind of dough into it, but if money were not an issue, it could be worth it.

You can see how big and clunky those braces are.  Note the do not use steel strings warning.  More about that in the next post.

This guitar was never played.  The fretboard is this clean all the way up and down the neck.

some cool tiger stripes on the back of the neck.

even came with this cool cream colored chipboard case that is in as good a shape as the guitar.